Thillai Nataraja Temple, Chidambaram, Chidambaram

attraction

About Thillai Nataraja Temple, Chidambaram

Nataraja Temple, also referred to as the Chidambaram Nataraja temple or Thillai Nataraja temple, is a Hindu temple dedicated to Nataraja – Shiva as the lord of dance – in Chidambaram, Tamil Nadu, India. The temple has mythical roots and a Shiva shrine existed at the site when the town was known as Thillai. Chidambaram, the name of the city and the temple literally means "atmosphere of wisdom" or "clothed in thought", the temple architecture symbolizes the connection between the arts and spirituality, creative activity and the divine. The temple wall carvings display all the 108 karanas from the Natya Shastra by Bharata Muni, and these postures form a foundation of Bharatanatyam, a classical Indian dance.The present temple was built in the 10th century when Chidambaram was the capital of the Chola dynasty, making it one of the oldest surviving active temple complexes in South India. After its 10th-century consecration by the Cholas who considered Nataraja as their family deity, the temple has been damaged, repaired, renovated and expanded through the 2nd millennium. Most of the temple's surviving plan, architecture and structure is from the late 12th and early 13th centuries, with later additions in similar style. While Shiva as Nataraja is the primary deity of the temple, it reverentially presents major themes from Shaktism, Vaishnavism, and other traditions of Hinduism. The Chidambaram temple complex, for example, has the earliest known Amman or Devi temple in South India, a pre-13th century Surya shrine with chariot, shrines for Ganesha, Murugan and Vishnu, one of the earliest known Shiva Ganga sacred pool, large mandapas for the convenience of pilgrims (choultry, ambalam or sabha) and other monuments. Shiva himself is presented as the Nataraja performing the Ananda Tandava ("Dance of Delight") in the golden hall of the shrine Pon Ambalam.The temple is one of the five elemental lingas in the Shaivism pilgrimage tradition, and considered the subtlest of all Shiva temples (Kovil) in Hinduism. It is also a site for performance arts, including the annual Natyanjali dance festival on Maha Shivaratri.

History

Invasions

In the north, the Indian subcontinent had been conquered by the Delhi Sultanate. Muslim armies had begun raiding central India for plunder by the late 13th century. In 1311, the Ala ud Din Khilji's Muslim general Malik Kafur and his Delhi Sultanate forces went deeper into the Indian peninsula for loot and to establish annual tribute paying Muslim governors. The records left by the court historians of the Delhi Sultanate state that Malik Kafur raided Chidambaram, Srirangam and other Tamil towms, destroyed the temples, and the Chidambaram Shiva temple was one of the sources of gold and jewels booty he brought back to Delhi.The temple towns of Tamil Nadu were again targeted for loot in the 1320s. However, when the news of another invasion spread in Tamil lands, the community removed them into the Western Ghats or buried numerous sculptures and treasures in the land and concealed chambers underneath temples sites before the Muslim armies reached them. A large number of these were rediscovered in archaeological excavations at the site in and after 1979, including those in Chidambaram. According to Nagaswamy, those who buried the temple artworks followed the Hindu Agama texts such as Marici Samhita and Vimanarcanakalpa that recommend ritually burying precious metal murtis as a means of protection when war and robbery is imminent. Over 200 such items have been recovered, including relevant hordes of copper plate inscriptions.The Islamic invasion in the 14th century, states George Michell – a professor and art historian of Indian architecture, brought an abrupt end to the patronage of Chidambaram and other temple towns. The Delhi Sultan appointed a Muslim governor, who seceded within the few years from the Delhi Sultanate and began the Madurai Sultanate. This Sultanate sought tribute from the temple towns, instead of supporting them. The Muslim Madurai Sultanate was relatively short-lived, with Hindu Vijayanagara Empire removing it in the late 14th century. The Vijayanagara rulers restored, repaired and expanded the temple through the 16th century, along with many other regional temples. These kings themselves went on pilgrimage to Chidambaram, and gifted resources to strengthen its walls and infrastructure. The destruction of Vijayanagara Empire in the late 16th century by an alliance of Sultanates, followed within a few decades by entrance of Portuguese, French and British colonial interests brought geopolitical uncertainties to Chidambaram and other temple towns. The Portuguese were already a major Coromandel Coast trading group by the early 17th century, a region to which Chidambaram belonged. The Portuguese began building forts, garrison and churches in Coromandel Coast region after the demise of Vijayanagara, triggering the intervention of the French and the British. By the mid 17th century, the temple complex was within the patronage of Nayakas, who repaired the temple and repainted the frescoes on mandapa ceilings. According to Michell, these restorations likely occurred about 1643 CE during the reign of Shrirangadeva Raya III.According to British reports, Chidambaram temple town had to bear the "brunt of several severe onslaughts" between the French and the British colonial forces several times particularly in the 18th century.

Legend

The Chidambaram temple legend is contained in the 12th-century text Chidambara-mahatmya. The central episode states that Shiva visits sages in the mythical Pine Forest in the form of a beggar accompanied by Mohini, none other than Vishnu in the avatar of a beautiful woman. Mohini triggers lustful interest of the sages, while Shiva performs Tandava dance that triggers the carnal interest of the wives of these sages. The sages ultimately realise how superficial their austerities have been. The episode becomes widely known. Two sages named Patanjali (also called Sesha-bodied in the south for his connection to Vishnu) and Vyaghrapada (also called Tiger-footed sage) want to see the repeat performance of this "dance of bliss" in the Thaillai forest, Chidambaram. They set up a Shivalinga, pray, meditate and wait. Their asceticism impresses Shiva who appeared before them in Chidambaram and performed "the dance" against "the wall, in the blessed hall of consciousness". This is how this temple started, according to the mahatmya embedded in the Tamil Sthalapurana. According to Kulke, the late medieval text Chidambaramahatmya may reflect a process of Sanskritisation, where these North Indian named sages with Vedic links became incorporated into regional temple mythology.According to another Hindu legend, Mahalingaswamy at Thiruvidaimarudur is the centre of all Shiva temples in the region and the Saptha Vigraha moorthis (seven prime consorts in all Shiva temples) are located at seven cardinal points around the temple, located in various parts of the state. The seven deities are Nataraja in Chidambaram Nataraja Temple at Chidambaram, Chandikeswarar temple at Tirucheingalur, Vinayagar in Vellai Vinayagar Temple at Thiruvalanchuzhi, Muruga in Swamimalai Murugan Temple at Swamimalai, Bhairava in Sattainathar Temple at Sirkali, Navagraha in Sooriyanar Temple at Suryanar Kovil and Dakshinamoorthy in Apatsahayesvarar Temple, Alangudi at Alangudi, Papanasam taluk.

Thillai Nataraja Temple, Chidambaram is located in City of Chidambaram state of Tamil Nadu which has other variety of things to explore

Please enter the below details for us to contact you

+91
*indicates required field